Anne Marsh
Bibliography
- LOOK: Contemporary Australian Photography, South Yarra: Macmillan, 2010. 400 pages.
- Pat Brassington: This is Not a Photograph, Quintus an imprint of the University of Tasmania, 2006. 63 pages.
- The Darkroom: Photography and the Theatre of Desire, Melbourne: Macmillan, 2003. 287 pages.
- Body and Self: Performance Art in Australia 1969-1992, Melbourne: Oxford University Press, 1993. 262 pages.
- ‘Performance Art, Ritual and Shamanism’, in Makarand Paranjape (ed.), Sacred Australia: Post-Secular Considerations, Melbourne: Clouds of Magellan Press, 2009, pp. 271-285.
- ‘The Medium as Ghost: Politics and Poetics in Peter Kennedy’s Work’ in Hilde Van Gelder and Helen Westgeest (eds.), Photography between Poetry and Politics: The Critical Position of the Photographic Medium in Contemporary Art, Leuven UP, 2008, pp. 19-34.
- ‘Performance Art at the George Paton Gallery’ in Helen Vivien (ed), When You Think About Art: The Ewing & George Paton Galleries 1971-2008, Melbourne: Macmillan, 2008, pp. 190-207.
- ‘Requiem Chorus: Peter Kennedy's Millennium Opus’, in Adam Geczy and Benjamin Genocchio, (eds.) What is Installation? An Anthology of Writings on Australian Installation Art, Power Publications, Sydney, 2001, pp. 101-106.
- ‘Obsolete Bodies and Prosthetic Gods’, in Peta Tait (ed), Body Show/s,: Australian Viewings of Live Performance, Rodopi Theatre Series, Amsterdam, 2001, pp. 177-186.
- ‘Australian Performance Art, 1969-1998’, Art Action 1958-1998, Quebec, Canada: Éditions Intervention and\Nouvelles éditions polaries Niepe, 2001, in French and English, pp. 186-197.
- ‘Performance Art Collaborations (with notes on video, installation and conceptual art)’, COLLOQUY text theory critique 22, 2011, pp.180-196.
- ‘Performance Art and its Documentation: A Photo/Video Essay’, About Performance, Still/ Moving: Photography and Live Performance, Sydney: Department of Performance Studies, University of Sydney, No. 8. 2008, pp. 15-29.
- ‘A Surrealist Impulse in Contemporary Australian photography’, Papers of Surrealism, no. 6, AHRB Research Centre for Studies in Surrealism and its Legacies, no. 6, 2007, University of Essex and University of Manchester, on-line journal
- ‘A Photographic Ghost in Contemporary Painting’, Southern Review, vol. 37, no. 1, 2004, pp. 34-48.
- ‘Ned Kelly by Any Other Name’, Journal of Visual Culture (UK), vol. 1, no. 1, April 2002, pp. 57-65.
- ‘Extreme Acts: Live, Remade, Remediated’, Eyeline Contemporary Visual Arts, no. 69, 2009, pp. 37-42.
- ‘Stepping In (A Feminist Context)’, Broadsheet Contemporary Visual Arts + Culture, vol 36, no. 4, 2007, pp. 248-251.
- ‘Art History in a Post-Medium Age’, Artlink, vol 26, no. 1, March 2006, pp. 41-45.
- ‘Piercing the Subject: 21C Anxiety in the Works of David Rosetzky’, Eyeline, no. 57, Winter 2005, pp. 16-18.
- ‘Lily Hibberd: A Painters Cinema’, Eyeline, no. 55, Spring 2004, pp.
- ‘Pat Brassington: Uncanny Witness’, Art and Australia, vol. 41, no. 4, Winter 2004. pp. 586-592. Major feature on distinguished Australian photographer.
- ‘Blood and Death: The Recent Body Art of Jill Orr’, Art Monthly, no. 158, 2003, pp. 22-23.
- ‘Light Writing Desire and Other Fantasies’, Eyeline, no. 46, Spring 2001, pp. 32-37.
- ‘The Future of Art History: The Discipline in an Expanded Field’, Art Monthly, no. 133, September 2000, pp. 8-10.
- ‘Ian de Gruchy's Magic Screens and Digital Projections’, Eyeline, no. 43, Spring 2000, pp. 28-32.
- ‘Faking It: Notes on Interpretation’, Antithesis, special issue 'Sex 2000', vol 11, 2000, pp. 32-40.
- ‘Gordon Bennett: An Menace in Australian History’, Eyeline, no. 41, summer 1999/2000, pp. 24-27.
- ‘Public Park: A Gendered Performance’, Art and Australia, vol 36. no. 4,1999, pp. 494-501.
- ‘Peter Kennedy: Poetics, Politics and a Silent Music’, Globe, electronic journal, no. 8, 1998.
- ‘Requiem Chorus: Peter Kennedy's Millennium Opus’, Eyeline, no. 36, Autumn/Winter 1998, pp. 31- 36.
- ‘Forgotten Spaces and Hysteric Poses: Performative Installations by Jay Younger’, Eyeline, no. 34, Spring, 1997, pp. 23-26.
- ‘Un-mapped: The Political Dialogue of an Artist (Peter Kennedy)’, Globe, electronic journal, no. 1, 1995.
- ‘The Body Terrorists: Karen Finley and Linda Sproul, Acting-Up’, World Art, no. 1, March 1994, pp.66-70.
Monographs
Chapters in books
Journal articles
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